Kealy Robinson

‘Untitled’ explores the boundaries of photography and sculpture, ever narrowing the line separating the two. Through creating sculptures using materials such as paper and fabrics, there are various ways of how we can interpret the piece of work, whether it be a photograph of a sculpture, or a sculpture for a photograph. It identifies and analyses how artists use photography as a medium to recognise and recollect the physical object. This is something that I have been exploring throughout the project creating debates of how audiences are intended to view the work.