Dan Johnson - BA (Hons) Photography
Hidden Contradictions
Dan is a UK-based photographer specialising in landscape and documentary photography. Through his lens, he captures the diverse beauty of landscapes from across the world and currently seeks to explore the relationships between rural and urban environments.
In continuation of his previously made personal documentary work, Hidden Contradictions focuses on the harmonious yet often paradoxical relationship between Man and the natural world. The Alpine sublimity of Chamonix or the cultural nuances of French style, a timeless sense is perpetuated through the interflow of both Analogue and Digital technologies.
Through conceptual research and experimentation, Dan has sought to make images which highlight the very intricacies of silent conversations, the enduring power of nature and its inherent capacity to hold those who exploit it accountable. The viewer is encouraged to look beyond the sublime, to recognise the impact that we, as human beings have upon changing the world’s landscapes.
Dan is a UK-based photographer specialising in landscape and documentary photography. Through his lens, he captures the diverse beauty of landscapes from across the world and currently seeks to explore the relationships between rural and urban environments.
In continuation of his previously made personal documentary work, Hidden Contradictions focuses on the harmonious yet often paradoxical relationship between Man and the natural world. The Alpine sublimity of Chamonix or the cultural nuances of French style, a timeless sense is perpetuated through the interflow of both Analogue and Digital technologies.
Through conceptual research and experimentation, Dan has sought to make images which highlight the very intricacies of silent conversations, the enduring power of nature and its inherent capacity to hold those who exploit it accountable. The viewer is encouraged to look beyond the sublime, to recognise the impact that we, as human beings have upon changing the world’s landscapes.
