Millie Boissier-Wyles - BA (Hons) Product Design and Craft

Fragments of Forgotten Walls

My practice as a ceramic artist is rooted in a fascination with the overlooked beauty and layered histories found within derelict urban spaces. Through a self-authored body of ceramic vessels, I critically explore the textures, colours, and narratives embedded in abandoned buildings—structures that bear witness to cycles of decay and renewal. Drawing on site visits, primary photography, and contextual research, I seek to develop a personal visual language that communicates the complexity and allure of urban decay.

Central to my work is the question: How do my clay vessels capture the textures and stories of derelict buildings through clay? To address this, I engage in rigorous material experimentation, employing slab-building, surface texturing, and layered glazing to evoke the peeling paint, rust, and graffiti that characterize neglected spaces. My creative process is informed by both direct observation and the study of contemporary ceramic artists who similarly interrogate themes of place, memory, and transformation.

Throughout my practice, I maintain a reflective and analytical approach, meticulously documenting my design iterations and technical challenges in sketchbooks and portfolios. Problem-solving is integral to my process, whether refining construction techniques to prevent cracking or experimenting with surface treatments to achieve nuanced, evocative finishes. My aim is to produce vessels that are technically accomplished, visually compelling, and conceptually rich.

Presentation is a vital aspect of my work. I curate and photograph my vessels with careful attention to context and audience, striving to enhance their impact and invite viewers to contemplate the stories embedded within their surfaces. Ultimately, my goal is to synthesise research, material skill, and critical reflection into a distinctive body of work that resonates with contemporary concerns and prepares me for future opportunities in ceramics. I am committed to evolving my practice through larger-scale projects, collaborations, and exhibitions that engage meaningfully with real-world environments and communities.